D&R CinemIX Dokumentacja

Cinemixman.lwpCinemiXOWNERS MANUALCinemix manual page: 1

SOURCE SWITCHINGFour two track return source switches and one six track return source switch isfitted to allow pre or post monitoring of a stereo mix

2.7 TALKBACK SECTIONA one way communication system is built into Cinemix. The built-in talkbackmic can feed the LCRS/Sub Bass Groups, Auxes/Joystick

2.11 METERINGMaster meteringThe Cinemix has a total of six VU meters above the master section in themeterbridge. Analog VU meters will indicate the av

2.12 MASTER INPUTS/OUTPUTSCinemix interfaces easily with external equipmentsuch as two track master machines, signalprocessors, headphone amps, and po

ARMPress the ESC switch until the LCD display reads as follows:By pressing ARM (S1), the ARM software will becomeactive and the following changes take

MODULE SETUP COPYINGThe S3 (Copy) switch allows you to copy a selected module's setup to anothermodule or to all modules. The following are easy

Cinemix's SET menuWhen you press Cinemix's Set (S4) switch, the LC Displayreads as follows:By pressing SetM (S1) all MUTE switches will mute

e. Now depress the ARM switch in the Joystick area and assign thejoystick output to L/R, Center or SRND (all or any combination). The Virtual Vision m

THE FILM MASTER SECTION2.15 Master section - descriptionCinemix's film master section is equivalent (in width) to 6 input modules. All CRM output

ENCODER ACTIVE.This switch changes the Main output signal from the console to the Encoderoutput of an externally connected Encoder. The Surround left/

Cinemix Manualversion: 1.3Introduction and Product Overview1.0 The Chassis system - description1.1 Cinemix chassis2.0 Master section - description2.1

SOURCE SWITCHINGFour two track return source switches and one six track return source switch isfitted to allow pre or post monitoring of a stereo mix

1/2 outputs. The momentary TB talkback switch activates the internal electretmicrophone while dimming the main CRM monitor speakers.2.23 DYNAMICS SE

2.26 METERINGMaster meteringThe Cinemix has a total of six VU meters above the master section in themeterbridge. Analog VU meters will indicate the av

2.27 MASTER INPUTS/OUTPUTSCinemix interfaces easily with external equipmentsuch as two track master machines, signalprocessors, headphone amps, and po

ARMPress the ESC switch until the LCD display reads as follows:By pressing ARM (S1), the ARM software will becomeactive and the following changes take

ROUTING INPUT MODULESA more detailed explanation of input module routing is described in the nextsection of this manual, we will discuss a simplified

DYNamicsBy depressing the Dyn switch S2 you enter thedynamics menues. It looks like this >By depressing S1 (Set data) you enter the lower levelof

Cinemix's SET menuWhen you press Cinemix's Setup (S4) switch, the LC Displayreads as follows:By pressing Mod (S1) the following display will

AUTOMATION.Paragraph 12.0 PowerVca automation will outline the setup and use of D&R'sPowerVCA SMPTE based Automation. Since this section of

The Virtual Vision matrix will show the panning ranges possible withcorresponding assignments.All movements will be memorized in PowerVCA together wit

3.5 Phase switch3.6 Insert3.7 Sel switch3.8 SOLO3.9 Mute function3.10 Fader3.11 CHAN/MIX status section3.12 MIX path3.13 LCRS pan-pot3.14 CHAN/MIX pa

DUAL PATH MONO MODULEDESCRIPTION3.0 DUAL PATH MONO MODULE - DESCRIPTIONCinemix's Dual Path mono input module is a basic input / output design wh

All level controls are center detented making neutral positions easyto establish. All frequency ranges have been carefully selectedfollowing extensiv

3.8 SOLOThe SOLO switch has an adjacent LED as an indicator for the solo. The SOLO system has two modes, PFL (pre fade listen), AFL(after fade listen

INPUT FLIP SWITCH.When this LED is on, the mic or line signals are directed to the MIXpath of the module and the tape signal is connected to the CHANn

Equalizer Section - MIX pathThis four-band parametric equalizer is unique in its design. There are four bands, the high and low are sweepable frequenc

SELThe SEL switch determines the automation mode of the automated fader.Either off (no LED's on) Read (R LED on), Write (W LED on) or Update/Trim

THE DUAL STEREO RETURNMODULE4.0Cinemix's Dual Stereo Module is one of the most comprehensive products theD&R design team has developed yet.

4.3 AUX Send SectionAux 1 through 4 are always in the Stereo A path. Aux 1 - 4 are dualconcentric controls with 1/3 being the top knob and 2/4 the b

4.4 STEREO A / B STATUS SECTION - USING ARMThere is a white section with LED's that indicate when the ARM systemis active and let you know what i

LF 60HzThe LF (low frequency) section has shelving characteristics with a boost or cutof 16dB at a fixed frequency of 60Hz.All level controls are cent

9.0 Troubleshooting and servicing9.1 Troubleshooting9.2 Removing a module9.3 Patchbay - servicing10.0 Connectors10.1 Master section connectors10.2 Pat

4.8 STEREO B STATUS SECTION - USING ARMThere is a white section with LED's that indicate when the ARM systemis active and let you know what is r

PATCHBAY SECTION5.0 Patchbay descriptionThe recessed patchbay section is built around Bantam type tiny telephone jacksockets. Cinemix's patchbay

Row 9:Five signal processor inputs normalized to Aux 2/4/6/8/10 outputs, andStudio amp2 inputs (normalized to Studio2 outputs).Row 10: Four stereo sig

INSTRUCTIONS FOROPERATION6.0 Instructions for operationThe Cinemix is designed to be the perfect answer for Post Production, multitrackand MIDI studi

Monitoring with the Cinemix series, you are able to monitor your multitrack byway of the separate MIX section. The MIX section of the dual path modul

For that reason D&R has designed the Cinemix with stereo effects returnmodules. See section 4.0 of this manual for a complete description of this

Therefore, you will only require tape tracks for vocals and those instruments notadequately reproduced on today's keyboards. If there is a multi

7.0 Installation - Electrical7.1 Local Electrical VoltageBefore connecting the Cinemix, check the AC supply voltage setting by lookingat the sticke

Separate and identify "clean" and "dirty" AC outlets. Use clean outlets for audioequipment and the dirty ones for lighting, air

8.0 Installation - audio8.1 Interface Power AmpsThe Cinemix in its standard configuration can interface with all availableequipment. Attention con

Letter from the PrezDear Cinemix owner,The Cinemix was created using the latest in computer aided design and assemblingtechnology and incorporates the

8.3 Shields & Grounds of EquipmentThe shield of any audio cable connection should be connected at one end only.If not, ground loops and high freq

9.0 TROUBLE SHOOTING AND SERVICING9.1 TroubleshootingIt is essential to study the signal flow chart in paragraph 12.0/13.0 carefully, onlythen can yo

10.0 CONNECTORS10.1 Master SectionCRM main connector is a 25 pole female Sub D1 = CRM 1 left, in phase14 = CRM 1 left, out of phase (ground compensat

ENCODER25 POLE FEMALE SUB D CONNECTOR1 = To Encoder Left, in phase14 = To Encoder Left, out of phase (ground compensated)2 = Ground15 = To Encoder Rig

DECODER (from decoder to Cinemix on 25 pole Sub D)1 = From Decoder Left, in phase14 = From Decoder Left, out of phase (ground compensated)2 = Ground15

6 TRACK INPUT25 POLE FEMALE SUB D CONNECTOR1 = Left, in phase14 = Left, out of phase2 = Ground15 = Right, in phase3 = Righ, out of phase16 = Ground4 =

MIDI CONNECTORSMIDI IN Din Conn. 1= none2= none3= none4= to midi in +5= to midi in -MIDI THRU Din conn. 1= Ground2= Ground3= Ground4= to midi thru +5=

10.2 PATCHPANEL CONNECTORSAll in/outputs are connected via 25 pole sub D connectors in an identical way,seediagramsCinemix manual page: 57

11.0 SPECIFICATIONSINPUTSMic inputs 2kOhm balanced -129 dBr input noise A weighted, gain 84 dBLine inputs 10kOhm balanced +/- 20dB gain control, max

12.0 SIGNAL FLOW MASTER SECTIONCinemix manual page: 59

Cinemix Recording ConsoleThe D&R Cinemix is a 24 buss, dual path in-line format recording and mixingconsole designed to take the central role in a

13.0 SIGNAL FLOW INPUT MODULECinemix manual page: 60

14.0 System signal flow CinemixCinemix manual page: 61

15.0Interfacing with external equipmentCinemix manual page: 62

16.0Interfacing with DS4E / CP65 17.0Cinemix manual page: 63

17.00Interfacing with "Dolby" SEU4 / SDU4Cinemix manual page: 64

18.00Interfacing with JS-300Cinemix manual page: 65

19.0"Control"Control Room Monitor Matrix" Room Monitor Matrix"(for Stems/pre-recording)1. The CRM (STEMS/pre-recording)module fits

11. MATRIX SETUP puts the matrix in a programming mode. In this modeall inputs 1-24 can be individually assigned to one of the matrix outputs (L, C,R

19.1 INSTALLATION AND ALIGNMENT OF THE MATRIX MODULEThe STEMS/MATRIX module is built out of a number of horizontal PCB'swith very complex electro

NOTES:Depending if a new backpanel is supplied with retrofit kits for older consolesthe cables may already be connected to the backpanel. These are t

Cinemix's CHASSIS SYSTEM1.0 Cinemix's ChassisThe Cinemix is available in two frame sizes; 32 and 48. The basic frame has oneblank module lo

-SOLO When the SOLO switch is activated the corresponding input (either Direct or Playback) is put on the Cinemix's Solo buss, post TRIM control.

-MATRIX SETUP the MATRIX SETUP switch puts the matrix module in aprogramming mode. In this mode all 24 individual tracks can be assigned toany of the

20.0Conformity statement according to ISO/IEC Nr 22 and EN 45014Name Manufacturer D&R Electronica Weesp b.v.Addres manufacturer Rijnkade 15B, 1382

21.0PRODUCT SAFETY This product is manufactured with the highest standards and is doublechecked in our quality control department for reliability in

Imagine that your home fuses of 20 Amp can handle 200 times more currentthan is necessary to kill. How does resistance affect the shock a person feels

Dear Cinemix owner,In this manual we have tried to give you an overview of all that the Cinemixhas to offer. If you have any questions, do not hesita

THE VIDEO MASTER SECTION2.0 Master section - descriptionCinemix's master section is equivalent (in width) to 6 input modules. All CRM outputs are

ENCODER ACTIVE.This switch changes the Main output signal from the console to the Encoderoutput of an externally connected Encoder. The Surround left/